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	<title>quasiniente &#187; commento</title>
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		<title>URBAN MANNERS (Hangar Bicocca, Milano, ottobre 2007 / gennaio 2008)</title>
		<link>http://www.almostnothing.org/it/urban-manners-hangar-bicocca-milano-ottobre-2007-gennaio-2008/</link>
		<comments>http://www.almostnothing.org/it/urban-manners-hangar-bicocca-milano-ottobre-2007-gennaio-2008/#comments</comments>
		<pubDate>Sat, 20 Oct 2007 00:06:23 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[arte]]></category>
		<category><![CDATA[art]]></category>
		<category><![CDATA[bicocca]]></category>
		<category><![CDATA[certa critica]]></category>
		<category><![CDATA[chapati]]></category>
		<category><![CDATA[collettiva]]></category>
		<category><![CDATA[commento]]></category>
		<category><![CDATA[contemporanea]]></category>
		<category><![CDATA[exhibition]]></category>
		<category><![CDATA[gandhi]]></category>
		<category><![CDATA[gupta]]></category>
		<category><![CDATA[hangar]]></category>
		<category><![CDATA[india]]></category>
		<category><![CDATA[indian]]></category>
		<category><![CDATA[manners]]></category>
		<category><![CDATA[milan]]></category>
		<category><![CDATA[milano]]></category>
		<category><![CDATA[oberdan]]></category>
		<category><![CDATA[urban]]></category>

		<guid isPermaLink="false">http://www.quasiniente.com/?p=129</guid>
		<description><![CDATA[Subito dopo l&#8217;antipasto a base di chapati all&#8217;Oberdan, c&#8217;è il piatto forte all&#8217;Hangar Bicocca. Opere monumentali, con dimensioni da Biennale. Prevalgono le immagini sospese e le retoriche dolci, colori forti ed oggetti del quotidiano rivestiti da misticismi pop. Poca pittura, molte installazioni e qualche video, che nello spazio dell&#8217;hangar guadagnano in avvolgenza. Se tra più [...]]]></description>
		<wfw:commentRss>http://www.almostnothing.org/it/urban-manners-hangar-bicocca-milano-ottobre-2007-gennaio-2008/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<item>
		<title>YO e YO! a confronto.</title>
		<link>http://www.almostnothing.org/it/yo-e-yo-a-confronto/</link>
		<comments>http://www.almostnothing.org/it/yo-e-yo-a-confronto/#comments</comments>
		<pubDate>Mon, 08 Oct 2007 22:47:50 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[certa critica]]></category>
		<category><![CDATA[quasi niente]]></category>
		<category><![CDATA[almost]]></category>
		<category><![CDATA[art]]></category>
		<category><![CDATA[arte]]></category>
		<category><![CDATA[commento]]></category>
		<category><![CDATA[niente]]></category>
		<category><![CDATA[nothing]]></category>
		<category><![CDATA[scritta]]></category>
		<category><![CDATA[writing]]></category>
		<category><![CDATA[yo]]></category>

		<guid isPermaLink="false">http://www.quasiniente.com/wordpress/?p=100</guid>
		<description><![CDATA[&#8220;yo&#8221; &#8211; autore anonimo 20cmx15cm &#8211; sottiletta su vetro esposta in una stanza  &#8220;yo!&#8221; &#8211; autore anonimo 15cmx10cm &#8211; marker rosso su vetro esposta in un corridoio Le opere che esaminerò hanno entrambe una propria identità distinta, ma hanno diversi punti in comune che meritano attenzione analitica. Yo costa in una scritta tracciata su [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>DONNE = TROIE</title>
		<link>http://www.almostnothing.org/it/donne-troie/</link>
		<comments>http://www.almostnothing.org/it/donne-troie/#comments</comments>
		<pubDate>Mon, 08 Oct 2007 22:45:32 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[certa critica]]></category>
		<category><![CDATA[quasi niente]]></category>
		<category><![CDATA[almost]]></category>
		<category><![CDATA[art]]></category>
		<category><![CDATA[arte]]></category>
		<category><![CDATA[commento]]></category>
		<category><![CDATA[donne]]></category>
		<category><![CDATA[niente]]></category>
		<category><![CDATA[nothing]]></category>
		<category><![CDATA[street]]></category>
		<category><![CDATA[troie]]></category>
		<category><![CDATA[writing]]></category>

		<guid isPermaLink="false">http://www.quasiniente.com/wordpress/?p=99</guid>
		<description><![CDATA[&#8220;donne=troie&#8221; &#8211; autore anonimo 5cmx30cm &#8211; pennarello su muro esposta in piazza XXIV maggio La scientifica potenza comunicazionale di questa triade (non mi sento di definirla hegeliana nè cinese) simbolica colpisce come un treno in corsa sui freddi binari della matematica. Come già Salvador Dalì era ispirato da fisica e scienza per le proprie riflessione [...]]]></description>
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		<slash:comments>2</slash:comments>
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		<title>SENZA TITOLO</title>
		<link>http://www.almostnothing.org/it/senza-titolo/</link>
		<comments>http://www.almostnothing.org/it/senza-titolo/#comments</comments>
		<pubDate>Mon, 08 Oct 2007 22:42:53 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[certa critica]]></category>
		<category><![CDATA[quasi niente]]></category>
		<category><![CDATA[almost]]></category>
		<category><![CDATA[art]]></category>
		<category><![CDATA[arte]]></category>
		<category><![CDATA[birra]]></category>
		<category><![CDATA[commento]]></category>
		<category><![CDATA[critico]]></category>
		<category><![CDATA[duchamp]]></category>
		<category><![CDATA[made]]></category>
		<category><![CDATA[nothing]]></category>
		<category><![CDATA[ready]]></category>
		<category><![CDATA[senza]]></category>
		<category><![CDATA[spruzzino]]></category>
		<category><![CDATA[titolo]]></category>

		<guid isPermaLink="false">http://www.quasiniente.com/wordpress/?p=98</guid>
		<description><![CDATA[&#8220;Senza titolo&#8221; &#8211; autore anonimo 10cmx10cmx25cm &#8211; vetro, carta, plastica, materiali vari esposta su un tavolo Se il ready made è morto con Marcel Duchamp, l&#8217;Arte maiuscola continua a vivere nelle opere dei giovani artisti, nonostante tutto. Nell&#8217;era di internet, della multimedialità, quando con un software di fotoritocco si riesce a conferire una pseudo-dignità (almeno [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>TUA MAMMA È DI TUTTI</title>
		<link>http://www.almostnothing.org/it/tua-mamma-e-di-tutti/</link>
		<comments>http://www.almostnothing.org/it/tua-mamma-e-di-tutti/#comments</comments>
		<pubDate>Mon, 08 Oct 2007 22:36:47 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[certa critica]]></category>
		<category><![CDATA[quasi niente]]></category>
		<category><![CDATA[almost]]></category>
		<category><![CDATA[art]]></category>
		<category><![CDATA[arte]]></category>
		<category><![CDATA[commento]]></category>
		<category><![CDATA[di tutti]]></category>
		<category><![CDATA[è]]></category>
		<category><![CDATA[mamma]]></category>
		<category><![CDATA[niente]]></category>
		<category><![CDATA[nothing]]></category>
		<category><![CDATA[street]]></category>
		<category><![CDATA[tua]]></category>

		<guid isPermaLink="false">http://www.quasiniente.com/wordpress/?p=97</guid>
		<description><![CDATA[&#8220;Tua mamma è di tutti&#8221; &#8211; autore anonimo pennarello su muro &#8211; 20cmx30cm esposta in Via Dogana A prima vista, la cosa più sconvolgente di questo capolavoro del nuovo secolo, esposto in via Dogana, a pochi passi dal Duomo di Milano, è che l&#8217;autore ha voluto rimanere nell&#8217;anonimato ed ha lasciato la sua opera in [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>SPAZI ATTI (PAC, Milano, 2004)</title>
		<link>http://www.almostnothing.org/it/spazi-atti-pac-milano-2004/</link>
		<comments>http://www.almostnothing.org/it/spazi-atti-pac-milano-2004/#comments</comments>
		<pubDate>Mon, 08 Oct 2007 00:34:24 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[arte]]></category>
		<category><![CDATA[airò]]></category>
		<category><![CDATA[art]]></category>
		<category><![CDATA[atti]]></category>
		<category><![CDATA[bartolini]]></category>
		<category><![CDATA[cecchini]]></category>
		<category><![CDATA[certa critica]]></category>
		<category><![CDATA[commento]]></category>
		<category><![CDATA[espositivo]]></category>
		<category><![CDATA[exhibition]]></category>
		<category><![CDATA[fitting]]></category>
		<category><![CDATA[garutti]]></category>
		<category><![CDATA[migliora]]></category>
		<category><![CDATA[milan]]></category>
		<category><![CDATA[milano]]></category>
		<category><![CDATA[mostra]]></category>
		<category><![CDATA[pac]]></category>
		<category><![CDATA[pancrazzi]]></category>
		<category><![CDATA[spaces]]></category>
		<category><![CDATA[spazi]]></category>
		<category><![CDATA[spazio]]></category>
		<category><![CDATA[tuttofuoco]]></category>

		<guid isPermaLink="false">http://www.quasiniente.com/wordpress/?p=87</guid>
		<description><![CDATA[La mostra collettiva, esposta al PAC di Milano e curata da Jean-Hubert Martin e Roberto Pinto, è composta da uno o più lavori per ciascuno di sette artisti italiani che negli ultimi anni hanno esplorato il concetto di spazio in relazione all’opera d’arte ed al suo fruitore, e di spazio come l’opera stessa, ovverosia modificato [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>TRACEY MOFFATT allo Spazio Oberdan (Milano, 2006)</title>
		<link>http://www.almostnothing.org/it/tracey-moffatt-allo-spazio-oberdan-milano-2006/</link>
		<comments>http://www.almostnothing.org/it/tracey-moffatt-allo-spazio-oberdan-milano-2006/#comments</comments>
		<pubDate>Mon, 08 Oct 2007 00:30:11 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[arte]]></category>
		<category><![CDATA[art]]></category>
		<category><![CDATA[certa critica]]></category>
		<category><![CDATA[commento]]></category>
		<category><![CDATA[contemporanea]]></category>
		<category><![CDATA[exhibition]]></category>
		<category><![CDATA[foto]]></category>
		<category><![CDATA[fotografia]]></category>
		<category><![CDATA[milan]]></category>
		<category><![CDATA[milano]]></category>
		<category><![CDATA[moffatt]]></category>
		<category><![CDATA[mostra]]></category>
		<category><![CDATA[oberdan]]></category>
		<category><![CDATA[photo]]></category>
		<category><![CDATA[spazio]]></category>
		<category><![CDATA[tracey]]></category>
		<category><![CDATA[video]]></category>

		<guid isPermaLink="false">http://www.quasiniente.com/wordpress/?p=86</guid>
		<description><![CDATA[Frammenti di vite, pulsioni e repulsioni tra ruvidità neorealista e patina pop. Lo Spazio Oberdan ospita la più completa rassegna di fotografie (e video) di Tracey Moffatt. Forse è destino che venga dall’Australia, ex colonia per la feccia criminale dell’Inghilterra, una delle artiste più convinte ed esperte nel raccontare storie di degrado e rivalsa. Lo [...]]]></description>
		<wfw:commentRss>http://www.almostnothing.org/it/tracey-moffatt-allo-spazio-oberdan-milano-2006/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>TOM SACHS alla Fondazione Prada (Milano, 2006)</title>
		<link>http://www.almostnothing.org/it/tom-sachs-alla-fondazione-prada-milano-2006/</link>
		<comments>http://www.almostnothing.org/it/tom-sachs-alla-fondazione-prada-milano-2006/#comments</comments>
		<pubDate>Mon, 08 Oct 2007 00:27:43 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[arte]]></category>
		<category><![CDATA[america]]></category>
		<category><![CDATA[art]]></category>
		<category><![CDATA[balena]]></category>
		<category><![CDATA[bianca]]></category>
		<category><![CDATA[certa critica]]></category>
		<category><![CDATA[commento]]></category>
		<category><![CDATA[contemporanea]]></category>
		<category><![CDATA[exhibition]]></category>
		<category><![CDATA[fondazione]]></category>
		<category><![CDATA[gta]]></category>
		<category><![CDATA[immaginario]]></category>
		<category><![CDATA[kkk]]></category>
		<category><![CDATA[milan]]></category>
		<category><![CDATA[milano]]></category>
		<category><![CDATA[moby dick]]></category>
		<category><![CDATA[mostra]]></category>
		<category><![CDATA[prada]]></category>
		<category><![CDATA[sachs]]></category>
		<category><![CDATA[tom]]></category>
		<category><![CDATA[united states]]></category>
		<category><![CDATA[usa]]></category>
		<category><![CDATA[whale]]></category>
		<category><![CDATA[white]]></category>

		<guid isPermaLink="false">http://www.quasiniente.com/wordpress/?p=85</guid>
		<description><![CDATA[Da Moby Dick a GTA passando per Groucho Marx. Icone rustico/tecnologiche dell’americanesimo alla Fondazione Prada. Anche se di questi tempi tenere i link a Nation of Islam (www.noi.org) contemporaneamente a quello al Ku Klux Klan (www.kkklan.com) e della Phillip Morris sul proprio sito è senza dubbio un segnale di scetticismo politico e sociale, non si [...]]]></description>
		<wfw:commentRss>http://www.almostnothing.org/it/tom-sachs-alla-fondazione-prada-milano-2006/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>I LIKE THINGS, Martin Creed (Fondazione Trussardi, Milano, 2006)</title>
		<link>http://www.almostnothing.org/it/i-like-things-martin-creed-fondazione-trussardi-milano-2006/</link>
		<comments>http://www.almostnothing.org/it/i-like-things-martin-creed-fondazione-trussardi-milano-2006/#comments</comments>
		<pubDate>Mon, 08 Oct 2007 00:15:58 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[arte]]></category>
		<category><![CDATA[arengario]]></category>
		<category><![CDATA[art]]></category>
		<category><![CDATA[certa critica]]></category>
		<category><![CDATA[commento]]></category>
		<category><![CDATA[creed]]></category>
		<category><![CDATA[exhibition]]></category>
		<category><![CDATA[fondazione]]></category>
		<category><![CDATA[i like things]]></category>
		<category><![CDATA[like]]></category>
		<category><![CDATA[maritn]]></category>
		<category><![CDATA[milan]]></category>
		<category><![CDATA[milano]]></category>
		<category><![CDATA[mostra]]></category>
		<category><![CDATA[off]]></category>
		<category><![CDATA[on]]></category>
		<category><![CDATA[palazzo]]></category>
		<category><![CDATA[things]]></category>
		<category><![CDATA[trussardi]]></category>

		<guid isPermaLink="false">http://www.quasiniente.com/wordpress/?p=81</guid>
		<description><![CDATA[“Minimalista” è una delle parole che vengono in mente quando si prova ad afferrare l’essenza del lavoro di Martin Creed, ma nonostante ciò non spaventatevi: quelle in mostra all’Arengario sono tutte opere di taglia abbastanza grossa e spettacolare, a partire dalle due scritte al neon EVERYTHING IS GOING TO BE ALRIGHT, all’esterno, e SMALL THINGS, [...]]]></description>
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